We talk about words. About how they form stories from memories: of places, and faces, and feelings. We talk about warmth–as we go about our days and being reminded constantly by each other’s presence, or absence, knowing that the longing is mutual. We talk about poems, and how random words can actually make up something so beautiful–the way random encounters with random strangers by the beach sometimes do. We talk about haikus and Kerouac, of the feeling of being here and there, of being nowhere and everywhere–as the idea of us in each other’s arms fills the air.

Well, here I am
2 PM
what day is it?

No telegram today
only more leaves
fell.

Drunk as a hoot owl, 
writing letters 
by thunderstorm.*

We talk about fixing coffee and tea, about breakfast in bed, and the joy of preparing meals for dinner time. We talk about traveling around the world and staying at home for two weeks in a row when the Internet is down–about how both possibilities seem fascinating simply because we are together. We talk about material gains and spiritual paths, about the books we are writing and the projects we are working on; about business ideas and dead musicians, about dark humor and classic movies, about dogs and cats and rain and thunderstorms. We talk about being stuck in a traffic jam for 2 hours, about sea-glass and cartoon characters, about disrupting the market and financing options, and about how wonderful we feel in each other’s embrace.

We talk about the history and ancient temples. About a family island that has been passed down from generation to generation for over 400 years. We talk about the idea of something that remains constant for so long, about how amazing and romantic it is, and questioning whether the things we hold of importance today will still be around in many years to come–and that we certainly hope so**.

We talk about cities and their different vibes. About how some have consistent flows of interaction–where we will always be in regular contact with people and energy, while the rest is filled with dead zones. About how, similar to life, sometimes it’s best not to prepare too much and too far ahead, and just jump in when we get there**. We talk about flowers and their different appearance. About how some are trying so hard with beautiful shapes and colors and complicated configurations of petals, while the rest are just there: as plain and honest as flowers could, swaying happily as the wind caresses their simple florets; couldn’t care less about trying to impress.

We talk about dreams and fears; the things that make us laugh and the things that make us cry. We talk about the way we hurt–about how pain is a true sensation of life: one we can’t hide from if we really want to grow and understand all that life has to offer us.** We talk about happiness; about following our bliss in the midst of turmoils and uncertainties; about the way we find each other as we’re manifesting our hearts’ desires. We talk about how the timing may not be ideal, but somehow perfect in every way–as we have hurt enough to mature and have loved enough to see each other in a childlike manner: with a sense of wonder, of being amazed and joyful when it comes to those everyday little things we see in each other.

And we talk about life. About how life is good when the other is in it–in any form: be it a song, a word, a picture, or best of all, in a touch.**

*) from Jack Kerouac’s American Haiku
**) from M’s letters.
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It’s about not knowing where we should go or what to do next the rest of the day. Just like one drizzly morning when we sat at the Green House, surrounded by porridge bowls, plates of American breakfast, cups of coffee, and glasses of juice. We pushed them all aside before you drew four lines on a piece of paper and wrote down MON TUE WED on the top of each space.

It should be our schedule, despite the fact that you wrote only one place for us to visit each day and left the rest of the columns empty. “Wow. The schedule looks so… zen.” We laughed at that, but in a way, it was actually darn philosophical.

***

It’s about not knowing the highlight of every day because our days got lost beneath Singapore’s cloudy sky and tangled sheets and the constant appearance of little gifts in bubble-wrap envelopes. My memories captured too many small details of your wonderful presence, but I loved the way you touched your chin when you were in deep concentration; typing away by the window overlooking the Esplanade, as well as your delicate way of brewing me a cup of chamomile in the afternoon.

It’s about not knowing why we were here in the first place, as we walked hand in hand through the concrete jungle–not even trying to question things. It was like that rainy day at the Art Science Museum when we sat in the darkness on the 4th floor, watching the mesmerizing “Sound of Ikebana: Four Seasons” by Naoko Tosa. Nobody else was around as we let ourselves drenched in the beauty of haikus and the vibration of kaleidoscopic paint caused by sound waves. We went there to see Eames, but we ended up here. It sounded too us.

***

I still don’t know about a lot of things–apart from more than 400 long letters and the irresistible charm of your battling eyelashes as you recite poetry from Hafiz; or how safe it feels just to lay my head down on your chest, listening to your heartbeat–as if the whole world has been compressed into this crippling second on earth; and suddenly, not knowing about what or how or why doesn’t really bother me at all.

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“The fact that you’re always happy can be annoying at times,” said A.

Your first response came out as “I am not always happy!”
And A came back immediately with, “Yes, you are!”

You knew he was half-joking. Well, no. You wanted to believe that he was half-joking. Because contrary to popular belief, you are actually capable of being sad. It’s just that you have decided long ago to be sad somewhere else, behind locked doors, away from the crowd. You wanted to tell A that you had just burst into tears six days ago–when you were about to go to bed and suddenly felt the urge to cry for no apparent reason. A wave of sadness hit you hard from somewhere deep inside, and the next thing you knew, tears were flowing down your cheek. You cried a good cry, letting them all out–whatever they were–sobbing to a pack of tissue until your eyes were swollen red and you felt out of breath.

That night, you cried until you fell asleep.

You wanted to tell all this, to let him know that he was wrong. But you didn’t. It didn’t seem like something that you could share on a bright Friday morning, when the two of you were just lazying around in a coffee shop, trying to catch up with each other’s lives. Another part of you thought that explaining such a thing was simply pointless. And at the time, you just didn’t feel like explaining yourself to anyone.

***

You still don’t know why you burst out crying that night. Probably there are some repressed feelings or memories from your past that needs to heal–or probably you just feel really vulnerable because you’ve opened up yourself so much to someone lately. Maybe, subconsciously, you are afraid. The last time you were being vulnerable and dropped your guards down, you got hurt real bad. You didn’t see that one coming, and you fell flat on your face. It was good to get hurt that way, though. Because when it hit you that hard, something snapped inside of you. You realized that you love yourself enough to not let people treat you badly. You told yourself to be careful next time.

And then you met him.

***

A few days ago, he told you how he loved the movie, Up. You remember that movie well; that you cried several times when you watched it a long time ago. For some reason, one of the things that struck you in the opening was the always-there realization of how people were so used to think that they would have more time. That there would always be tomorrow, next week, next month, or next year–and then suddenly realized that they had run out of time. So they started to look back in despair, seeing the things they had missed out in life, the things that were once possible but had now become impossible. The movie always reminds you to live every moment as if it was your last–and to live a life without what-ifs.

You remember this one time, a few months ago, when you asked yourself, “What if I said hello to that guy over there?”

And so, you did.

Close to midnight, you found yourself sitting next to him on the sunbed by the beach; listening to the sound of the waves as he gently wrapped his fingers around yours. The warmth enveloped you despite the seaside chill, and you remember looking up to the sky, then pointing at the stars–oblivious to the fact that at that very moment, Mars formed a nearly perfectly straight line with Castor and Pollux, the two brightest stars of the constellation Gemini. Merkaba activation, they said, when the planetary alignment creates a bridge to Spirit through our Hearts. You can’t really digest those things, but they sound wonderful, like some kind of fairy tale from a faraway place, somewhere in the Milky Way.

***

You bid him farewell once, thinking that you would never see him again. You’ve been so used to it, saying goodbye to people’s back as they walk away from you because people never mean what they say. But he proved you wrong. And he proved you wrong again, and again, and again. Despite the distance, the two of you bridge it with more than a hundred and sixty thousand words and glimpses of each other’s lives. Sometimes you wish that you could do more than just saying endless thank-yous, to show him how much you appreciate all the wonderful little things he has done. You wonder if he really knows.

You wrote about Retrouvailles once, the happiness of meeting again after a long time.  You mentioned leaving your front door open, and you were glad that you did. Moreover, because it was him that walked through that open door, stretching the vast possibility just to prove you wrong, once again. But you’ve got the message this time, loud and clear: there is nothing else left to prove. And the last thing you want is for him to prove anything. You want him to just be. Because since the very beginning, even without the need to even try, he has made you believe in an abnormally perfect fall. And although you will never know for sure about how life will finally unfold; you want to believe: that someone will actually catch you this time.

Even being thousands of miles away, you bring me calm like I haven’t felt forever | M

photo credit: Ricky Flores via photopincc
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“I think I’m going to move to Ubud for a while, maybe for 3-6 months,” I typed on my WhatsApp.

It was a cloudy Monday morning in Ubud. I was sitting cross-legged on the front porch; trying to decide whether I would go for a swim or not before meeting Alfred later in the afternoon.

Ubud, Bali

My phone vibrated.

“Moving to Ubud? And doing what?” Alfred’s words popped up on my screen.

“I don’t know,” I typed back. “Writing my book…”

An emoticon laughed at me. “Seriously?!!” Alfred replied. “Who the heck wrote a book in Ubud? Even Elizabeth Gilbert didn’t write her book in Ubud!”

And of course, he was right.

***

I decided to spend 2 weeks in Ubud; thinking that I would finally have the time and solitude to write The Book. These past few months, I had restrained myself from publishing any posts from my traveling journeys in Malaysia, Yogyakarta, Flores, and India–simply because this tiny (annoying) voice in my head kept saying: “Don’t post them now! Those stories will appear later in The Book!”

The Book is supposed to be my first non-fiction book: a travel memoir–and I have everything I need to finish it: a title, a premise, a rough outline…I even had almost 80% of the stories typed. All I need to do is type the rest of it, rewrite some parts that don’t come out as strong as I intended and organize them to create a flowing narrative of 297 pages. It sounds so simple and easy, yet I had missed my deadline. Twice. I have no excuse, and I don’t intend to start finding one.

Every day, as I woke up to the sound of the morning in Ubud, I told myself that I needed to sit down and wrote a few pages for The Book, today. I needed to create my own Ubud’s book-writing timeline and stick to it.

I ended up doing everything but writing The Book.

***

Ubud kept me busy.

I bumped into some old and new friends (who happened to know each other)–and spent some days conversing with them on the back porch while munching on mangosteens. There were some days when I was on fire: typing around 6 proposals for several movements and social projects that I was about to pursue, as well as making business plans for some friends of mine–just because I felt this rush of enthusiasm and inspiration needed to find an outlet.

There were some days when I didn’t really have anything to do. And for some unexplainable reasons, on those kinds of days, I kept bumping into people who practiced Reiki, spiritual healing, channeling, or yoga… to one point whereby I met a friend of a friend, and somehow ended up in a house full of statues and crystals by the rice fields near Penestanan for a kundalini meditation session–all the while asking myself, “What the heck are you doing, exactly?” and immediately answering back, “This could be an interesting story for The Book!”

When I didn’t bump into those interesting flocks, I went out for coffee or some healthy meals in one of those organic restaurants sprawled around the town; then walked around aimlessly for around 2 to 3 hours–checking out different alleys and shops and gelato bars, too lazy to even snap pictures. Other days, I would hang out with the staff at the hotel–conversing all night long by the pool while being bitten by mosquitos, listening to their life stories, and ended up explaining about meteors, eclipse, and earthquakes (“So, it’s not because of the dragon that is moving under the earth’s surface?”).

But most of the time, I would find myself sat lazily somewhere: reading a book, sipping watermelon juice, watching people, and then went back to my hotel–took a cold shower, wrote a long letter for my muse, and fell asleep.

It sounded like a vicious cycle, but the funny thing was: it actually didn’t feel vicious at all. I wanted to feel guilty because I didn’t touch The Book while I was in Ubud, but I just couldn’t.

***

It has been around a month since I got back from Ubud, and this week, I started to revisit The Book again. I realized that a ‘rough outline’ I have at the moment was not enough. This time, I committed to tightening it, restraining myself to edit (and re-edit) my stories before I could get that nice flow of narratives mapped out in a final outline.

It was not an easy task. To be honest, I hate making outlines–especially detailed ones with so many bullets and sub-bullet points. I always think of myself as a ‘spontaneous writer’ and outlining just doesn’t work for me. However, deep down inside, I know that I won’t go anywhere if I am still unsure of where I should place my stories on The Book. I can keep on rewriting and rewriting and rewriting and it will never get done. The stories will simply get lost somewhere in the middle of it all.

Ubud

And then it hit me. Right there. When I thought about ‘getting lost’.

I laughed at myself for a while, as I realized that ‘getting lost’ was actually my way of exploring a city when I travel. I am too lazy to read a map, I am not good at remembering routes (too busy noticing the small things along the way), and I get disoriented quite a lot–to the point that I could even get lost in a big shopping mall. I don’t plan things. I don’t keep a list of places I want to see. I don’t aim for landmarks or museums or souvenir shops. I just… go.

Now I know why mapping out The Book’s outline feels so darn hard since the very beginning.

Walking around aimlessly, not really heading anywhere, and letting the city I visit opening itself up to me as I get lost in it–that is how I travel. And The Book, indeed, is my travel memoir.

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One of the reasons why I love second-hand books is this: because sometimes–when I get lucky, I’ll find one with hand-written notes inside of it.

I am always fascinated by such random collision of lives; knowing that the book I am holding once belong to someone else; given as an act of love by the people who are/were close to their hearts. Reading those hand-written notes, I can’t help to wonder who these people are, what are their stories, and why those books find their way to greet me in some random bookstores in different parts of the world.

So, I guess the idea has been occupying my mind since then, leaving me questioning:

“What will happen when you leave hand-written notes: a poem, a prose, a flash fiction–anything that is close to your heart, to be found by random strangers?”

***

Last Saturday, together with my soul-sister, Ollie, we decided to find the answer to that question. And today, we come up with TheTravelingWords. It’s an idea that I have discussed with Ollie a few months back, but I guess an idea will always be an idea unless it is being executed. So, here we are now, inviting you to initiate connections with strangers by leaving hand-written poem/prose/flash fiction–or anything that is close to you heart, in various places.

“When you are traveling, carry your words with you. When you are not traveling, let your words travel for you. Magic happens when we let words travel.”

This November, we invite people to leave their hand-written notes with the theme “Distance” in a coffee shop. They can actually write their notes on the back of their bills and leave it on the table when they have finished their coffee. If the coffee shop have a tip jar, they can also put your notes there. They just need to put TheTravelingWords.com on the bottom of their hand-written notes (they can also put their names/contacts if they like), and send the pictures of the notes where they left it to us. We’ll showcase them all on the site, so that people who found their notes would know what this is all about! 🙂

***

Personally, coffee shop (especially tiny ones) is a place that is close to my heart. I spend many times there, sitting on the table far from the busy counter, writing some random lines on my notebook while watching people and sniffing the lovely smell of fresh-roasted coffee beans. I always find it amusing to leave something for the barista or the waitress… just to brighten up their day a bit more–especially when they are about to clean the table.

I guess now I have a stronger reason to do so.

More about TheTravelingWords can be found here. Let’s get our words to travel and touch lives! 🙂

It’s something about closing your eyes
and trying to forget something you
have always remembered.
It’s something about chasing
the feelings that burn the back of
your eyelids, knowing that it
comes from something unrequited.
It’s something about running towards
someone else’s back as they’re
walking away from you, leaving
all your whys unanswered.

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hanny
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Aku masih saja dibuat takjub akan sekian pertemuan yang nyaris terlewatkan–tetapi tidak. Seperti malam itu; ketika aku merasa nyaris putus asa dan tak lagi berharap akan menemukan (si)apa-(si)apa–kemudian langkahku memotong langkahmu secara tak sengaja dan kita bersua, begitu saja, seperti sudah seharusnya.

Candles

Kau merupa segala yang kuimpikan dan lebih. Terkadang membuatku takut, ketika hal-hal yang sudah lama kuangankan diam-diam kau jatuhkan tepat di atas pangkuanku, satu-satu: seperti jawaban atas doa-doa yang bahkan tak berani kuucapkan keras-keras. Jujur, terkadang aku meragu. Juga menunggu kapan semua ini akan berhenti pelan-pelan. Sudah lebih dari 100.000 kata kini, dan kita masih saja terhubung pada saat-saat yang bertepatan, seperti hari ketika aku berdiri di tepi pantai di Uluwatu dan mengirimkan sebongkah rindu pada ombak yang bergulung-gulung pergi; dan malam harinya, hujan turun di atasmu, 16.849 kilometer jauhnya dari sini. Kau katakan padaku saat itu bahwa kau bisa merasakan hatiku dalam setiap rintik yang menetesi kepalamu. Malam itu, kau sengaja membasahi dirimu meskipun biasanya kau lebih suka menikmati hujan dari dalam ruangan.

Lalu aku teringat malam ketika kita duduk di beranda untuk yang terakhir kali. Pada saatnya, aku luluh dalam tatapmu–dan tiba-tiba saja kata-kata menghilang dari kepalaku. Jadi kita terdiam berhadapan, lama. Rasanya tak seperti jeda yang harus diisi apa-apa. Kita tersenyum. Tertawa. Memandang ke arah yang sama.

Sepertinya kita bercakap dalam diam malam itu–tetapi entah bagaimana, kau membuat hatiku merasa bahwa untuk pertama kalinya, aku tak perlu ragu membiarkan diriku jatuh.

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hanny
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I know I am an old soul, and probably that’s one of the reasons why I am always drawn into anything vintage. Not to mention the fact that I can’t find the joy (yet) of reading books on my gadgets. I know it’s not that environmentally friendly, but I still love the real deal (would be better if it’s a second-hand book or a gift from someone): appreciating the cover, touching the edges, flipping the pages, reading the messages or underlined quotes someone had written inside… and don’t you think the smell of old books should have been bottled to be sold in supermarkets and sprayed in bookstores and libraries?

Thus, finding several old books from my grandfather’s collection was bliss! A beautiful French dictionary (love that pocket-size thing and it’s vintage blue stained-cover!), a small Thai dictionary & phrasebook, plus a Teach Yourself Chinese book! I know my grandfather (from my father’s side) loved books and that he spoke a little bit of Chinese and Dutch, but at the time he was still alive, I was still a little kid–and I didn’t know that he had this extensive interests towards learning foreign languages.

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I glanced at my bookshelf where my phrasebooks were stacked neatly on top of each other. French. Greek. Arabic. Spanish. Hindi and Urdu. Russian. Wow. Now I know where my fascination for foreign languages originated from!

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I also found this holy treasure, Highroads of Literature (1927), and let out an excited shriek every time I looked at the beautiful paintings inside the pages–accompanying Tennyson’s The Lady of Shallot and Shakespeare’s The Tempest.

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Another amazing finding was this Robinson Crusoe’s book because there’s a purple stamp from the bookstore where the book was bought… and it was pure bliss to find the word Buitenzorg stamped on it! Buitenzorg was the name given to my hometown, Bogor, during the Dutch colonial era. It meant something close to “a worry-free town”, where the summer residence of the Dutch East Indies Governor-General was located. This city of rain, which was surrounded by mountains, became a ‘resort’ town where the Dutch escaped from the bustling (then, and still bustling until today) Batavia (the Dutch name for the country’s capital, Jakarta).

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From my grandmother’s side, I actually bumped into this amazing thing: Madame Wong’s Chinese Cookbook. And look at those hand-written chicken-feet recipes on a piece of paper tucked inside the pages!

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Not to mention that the book has these beautifully breathtaking hand-drawing illustrations to show you the final look of the meals and the cooking steps–instead of photographs that you usually find in the modern cookbook!

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Have you ever found an old family ‘treasure’ lately?

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Yes, they hurt. But no matter how much they hurt, I realize that my previous relationships–even when they didn’t work out the way I wanted them to be, have taught me some valuable life lessons, and I won’t trade these with anything. There were times when I was young and didn’t know any better, but looking back at what I have experienced in life so far, I realized how much I have learned. And I am thankful for that. These are some life-lessons I learned from my previous relationships; things that are hidden behind a series of heartbreak, and I want to share them with you.

1. Do not jump into a relationship with a guy just because everyone else thinks he’s cool. Jump into a relationship with a guy because you think he’s cool–even if everyone else thinks he’s not.

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Do not choose to live your life based on other people’s expectations of you. And you won’t be happy comparing what you don’t have with what other people have. What makes them happy may not be something that will make you happy. Find your own thing. Your own calling. Your own way to live your life. I know it’s hard. I’ve been there, too. It’s hard to ignore people who tell you to live your life a certain way, especially if these people are those who are close to you–or your heart. But you owe yourself your life. This is your life. Make sure that you live a life without what-ifs.

2. Do not break up with a guy just because everyone else thinks he’s not cool. Break up with a guy because you think he’s not cool–even if everyone else thinks he is.

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Don’t let others determine what you should or should not like. Don’t let others tell you what’s edgy, what’s mainstream, and what’s quirky. Don’t let people put you into boxes and give you labels. Think for yourself. Stand to what you believe in. Some people will judge you for this. But that’s fine. You’re better off without listening to their judgment. And because we know how terrible it is to be judged, the least we can do is to not turn ourselves into the people we don’t want to be. Let’s stop judging other people, too. Like something because it feels nice to you. Love something because it warms you up inside. Do something because it’s fun and it makes you laugh–even when other people think it’s stupid.

3. It may not be as painful when people break up nicely. But you will still cry. And it will still hurt. And you’ll still have scars.

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And it’s okay to cry or to feel sad or to feel angry. Don’t ever think that you should be happy all the time. People will say, “Cheer up!” or “Come on, forget about it!” but if you know that you need time to embrace that sadness, by all means, take your time. Tell your friends that you don’t want to go partying or getting drunk. You just want them to sit with you and hold your hands and give you a silent hug. Sometimes our friends don’t know how to handle us when we’re hurting. They just don’t want to see us going through that pain because it hurts for them, too. So tell them this. And cry if you need to or if you feel like it. Because those tears: they heal.

Feel that pain, that sadness, that anger–but don’t indulge yourself in it. Your body knows when it’s ‘gone’: you no longer feel that cold sensation in the palm of your hands, that burning feeling behind your eyelids, that aching emptiness from somewhere between your chest and your stomach that you can’t really pinpoint or describe with words (but you do feel it, don’t you?). You need time to let these feelings out. You need time to heal. When you try to repress it and force yourself to go out partying, getting drunk, and faking laughter, what needs to come out does not come out–but they are still there. They don’t get the chance to heal.

So embrace that feeling. Try letting it in instead of letting it go. And then shine again, beautiful! Wear that scar with pride, because it shows how courageous you’ve been to love someone or something so deeply. And you don’t live until you have scars.

4. If it doesn’t feel right somehow, maybe it’s because something is wrong.

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Listen to your gut feeling. To your heart. To that little voice inside of you. To that urge to do something that seems like comes out of nowhere. Listen to that tinge of doubts at the back of your mind when you’re about to do something you are not really keen to. Don’t shut these voices down, because the more often you shut them down, the fainter they become, and when you need to hear this voice again one day, you will find it difficult to hear anything. So listen to that voice attentively. Let them talk to you. They will talk to your more often if you listen to them more often.

5. When you walk into a relationship, make sure that the guy is someone you love to be with, and someone you are crazily in love with.
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I heard this a lot: that you can’t have it all. You can’t be successful in your career and be healthy and have a passionate marriage and raise two kids and be a wonderful parent and be a millionaire and do good things for the world… you need to choose. You can’t have it all! I refuse to believe that. I believe that I can have it all. I won’t let other people’s limiting beliefs distract me from what I believe in.

When it comes to relationships, for instance, why do you have to choose whether you want to marry your ‘best friend’ or marry the guy that makes you burn with passion and desire? Why can’t we have both of them in one guy? I know there are happy couples out there who found both qualities in each other. And I want to have both qualities in one guy, too. I want to believe that this guy exists in the world, no matter how naive it sounds or how other people will mock me for this and tell me to be realistic. I don’t want to settle for less just because I want to have someone by my side. That won’t be fair for me and that won’t be fair for him. We won’t have space rockets if we only aim for the sky. There’s a vast universe out there. Why can’t we aim for it? And space rockets–they used to be a dream. Now, look at how real they are!

6. Don’t waste your time waiting for someone who doesn’t even know that you’re waiting for him. On second thought, don’t waste your time waiting. Full stop.

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Funny that we don’t know how much time we have in this life, but we keep on delaying things. We wait for something to happen, for someone to come, for a certain situation to play a certain way. Don’t wait. Just act. If it works out, good. If it doesn’t work out, the faster you know, the faster you’ll move on. Don’t spend your life ‘just’ waiting. Don’t ask yourself, “What are you doing?” and answer that with, “I’m waiting for something.”.

There are so many things that you can do while waiting. Reading a book. Singing. Talking to strangers. Dancing barefooted. Playing guitar. Learning a foreign language. Traveling. Making funny noises. Doing volunteer works. Creating arts. Swimming. Falling in love. Make the most of your waiting time. Go out and see the world, meet people, experience things. Life is short but it’s full of surprises. You’ll never know what will happen. You may meet someone new or bump into something exciting that will make you forget that you’re waiting for something. And when the time comes, you’ll know that maybe what you’ve been waiting for is not something that you really want anyway.

7. Don’t stay in a relationship just because you love the guy. Be in a relationship because you love the guy, and because you like the guy. It’s possible to love someone you don’t like–that’s why a lot of people are trapped in abusive relationships.

beradadisiniSet your boundaries. Respect yourself. You are beautiful. Don’t let people abuse you–physically or emotionally. Both are unacceptable. When someone calls you a “fat-whale” when you gain weight or “you are such a bitch” when you’re involved in a heated argument, know that you don’t deserve that and you won’t let people treat you that way. When it’s possible, walkout from a relationship, a job, a circle of friends, or any environment that drags you down and sucks the energy out of you. Sometimes other people can’t save you no matter how hard they try. Sometimes, you need to save yourself and stand your ground. Don’t be afraid to seek help. Reach out.

And then remember to be kind. Be generous. Don’t say the things you do not mean. Don’t do the things you know you may regret later in life. Don’t inflict pain on others because you know how much it hurts. Lastly, don’t forget to give the best of yourself in any situation, and know that you deserve the best as well. You’re gorgeous, inside and out. Don’t let anyone tell you otherwise.

love,

hanny
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Last month, my publisher held a talk show and photo exhibition for another omnibus, JIKA (my story is on the 69th page!). In this omnibus, 13 female writers & photographers worked on a short story with the premise “what-if”, combining their words with a series of photographs they had taken to paint the story. During the talk show, a girl asked me about how to work (write) with pictures. You can find my answer below.

I love working (read: writing) with pictures. They provide me the opportunity to look deeper into details, textures, and colors. These are some of the approaches I use to paint pictures with words:

1. Descriptive Details.

Look at the pictures/photographs/objects and record as many details as possible—throwing everything into your writing journal. Red door. Rustic red door. Blue walls. Aqua blue. Sky blue. Bright blue. Chipped paints. Exposed bricks. Wooden window. Red window frame. Wild plants. Locks on the door. These will become the word-pool from which you can develop your sentences to describe the photograph later on.

2. Magnifying Memories.

Our memories are such a wonderful source for stories! Look at the pictures/ photographs/objects and try to remember something from your past that reminds you of this particular scene. I looked at the chipped blue paints of the wall and remembered one time when you scolded me in front of my friends because of my chipped nail polish. Came to think about it now, I should have known by then that you were such a jerk.

3. Familiar Feelings.

Look at the pictures/ photographs/objects closely, then try to recognize the feeling that is rising up inside of you. Desperation? Loneliness? Pity? The feeling of missing someone? Fear? It seemed like a long time ago since anybody walked in through that red rustic door, and a tinge of sadness ran through me—because I knew how people could get lonely at times. I meant, really lonely.

4. Intensifying Imagination.

Think about the things you can create; things that are non-existent in the pictures/ photographs/objects, and play with your imagination. You can do this by asking random questions. Are you going to tell a story about the guy who painted that door red? What kind of people live behind that kind of door? Is this a picture from that part of the town where a little girl got murdered last week? Why do they paint the walls blue?

5. Raining Romance.

If you’re writing a lot about love, romance, or relationships (like me), this will help. Look at the pictures/ photographs/objects, and think of a scene that is taking place/had taken place right there and then–for one or more of your characters. How do they end up at that particular scene in the photograph, and how does this particular place/object affect their relationship? Are the things/objects in the photographs represent something the character tries to repress?

Have fun with pictures, and have fun with words! Keep writing! 🙂

photo credit: Ava Babili via photopincc
hanny
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Hanny illustrator
Hi. I'm HANNY
I am an Indonesian writer/artist/illustrator and stationery web shop owner (Cafe Analog) based in Amsterdam, the Netherlands. I love facilitating writing/creative workshops and retreats, especially when they are tied to self-exploration and self-expression. In Indonesian, 'beradadisini' means being here. So, here I am, documenting life—one word at a time.

hanny

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