It’s about not knowing where we should go or what to do next the rest of the day. Just like one drizzly morning when we sat at the Green House, surrounded by porridge bowls, plates of American breakfast, cups of coffee, and glasses of juice. We pushed them all aside before you drew four lines on a piece of paper and wrote down MON TUE WED on the top of each space.

It should be our schedule, despite the fact that you wrote only one place for us to visit each day and left the rest of the columns empty. “Wow. The schedule looks so… zen.” We laughed at that, but in a way, it was actually darn philosophical.

***

It’s about not knowing the highlight of every day because our days got lost beneath Singapore’s cloudy sky and tangled sheets and the constant appearance of little gifts in bubble-wrap envelopes. My memories captured too many small details of your wonderful presence, but I loved the way you touched your chin when you were in deep concentration; typing away by the window overlooking the Esplanade, as well as your delicate way of brewing me a cup of chamomile in the afternoon.

It’s about not knowing why we were here in the first place, as we walked hand in hand through the concrete jungle–not even trying to question things. It was like that rainy day at the Art Science Museum when we sat in the darkness on the 4th floor, watching the mesmerizing “Sound of Ikebana: Four Seasons” by Naoko Tosa. Nobody else was around as we let ourselves drenched in the beauty of haikus and the vibration of kaleidoscopic paint caused by sound waves. We went there to see Eames, but we ended up here. It sounded too us.

***

I still don’t know about a lot of things–apart from more than 400 long letters and the irresistible charm of your battling eyelashes as you recite poetry from Hafiz; or how safe it feels just to lay my head down on your chest, listening to your heartbeat–as if the whole world has been compressed into this crippling second on earth; and suddenly, not knowing about what or how or why doesn’t really bother me at all.

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“The fact that you’re always happy can be annoying at times,” said A.

Your first response came out as “I am not always happy!”
And A came back immediately with, “Yes, you are!”

You knew he was half-joking. Well, no. You wanted to believe that he was half-joking. Because contrary to popular belief, you are actually capable of being sad. It’s just that you have decided long ago to be sad somewhere else, behind locked doors, away from the crowd. You wanted to tell A that you had just burst into tears six days ago–when you were about to go to bed and suddenly felt the urge to cry for no apparent reason. A wave of sadness hit you hard from somewhere deep inside, and the next thing you knew, tears were flowing down your cheek. You cried a good cry, letting them all out–whatever they were–sobbing to a pack of tissue until your eyes were swollen red and you felt out of breath.

That night, you cried until you fell asleep.

You wanted to tell all this, to let him know that he was wrong. But you didn’t. It didn’t seem like something that you could share on a bright Friday morning, when the two of you were just lazying around in a coffee shop, trying to catch up with each other’s lives. Another part of you thought that explaining such a thing was simply pointless. And at the time, you just didn’t feel like explaining yourself to anyone.

***

You still don’t know why you burst out crying that night. Probably there are some repressed feelings or memories from your past that needs to heal–or probably you just feel really vulnerable because you’ve opened up yourself so much to someone lately. Maybe, subconsciously, you are afraid. The last time you were being vulnerable and dropped your guards down, you got hurt real bad. You didn’t see that one coming, and you fell flat on your face. It was good to get hurt that way, though. Because when it hit you that hard, something snapped inside of you. You realized that you love yourself enough to not let people treat you badly. You told yourself to be careful next time.

And then you met him.

***

A few days ago, he told you how he loved the movie, Up. You remember that movie well; that you cried several times when you watched it a long time ago. For some reason, one of the things that struck you in the opening was the always-there realization of how people were so used to think that they would have more time. That there would always be tomorrow, next week, next month, or next year–and then suddenly realized that they had run out of time. So they started to look back in despair, seeing the things they had missed out in life, the things that were once possible but had now become impossible. The movie always reminds you to live every moment as if it was your last–and to live a life without what-ifs.

You remember this one time, a few months ago, when you asked yourself, “What if I said hello to that guy over there?”

And so, you did.

Close to midnight, you found yourself sitting next to him on the sunbed by the beach; listening to the sound of the waves as he gently wrapped his fingers around yours. The warmth enveloped you despite the seaside chill, and you remember looking up to the sky, then pointing at the stars–oblivious to the fact that at that very moment, Mars formed a nearly perfectly straight line with Castor and Pollux, the two brightest stars of the constellation Gemini. Merkaba activation, they said, when the planetary alignment creates a bridge to Spirit through our Hearts. You can’t really digest those things, but they sound wonderful, like some kind of fairy tale from a faraway place, somewhere in the Milky Way.

***

You bid him farewell once, thinking that you would never see him again. You’ve been so used to it, saying goodbye to people’s back as they walk away from you because people never mean what they say. But he proved you wrong. And he proved you wrong again, and again, and again. Despite the distance, the two of you bridge it with more than a hundred and sixty thousand words and glimpses of each other’s lives. Sometimes you wish that you could do more than just saying endless thank-yous, to show him how much you appreciate all the wonderful little things he has done. You wonder if he really knows.

You wrote about Retrouvailles once, the happiness of meeting again after a long time.  You mentioned leaving your front door open, and you were glad that you did. Moreover, because it was him that walked through that open door, stretching the vast possibility just to prove you wrong, once again. But you’ve got the message this time, loud and clear: there is nothing else left to prove. And the last thing you want is for him to prove anything. You want him to just be. Because since the very beginning, even without the need to even try, he has made you believe in an abnormally perfect fall. And although you will never know for sure about how life will finally unfold; you want to believe: that someone will actually catch you this time.

Even being thousands of miles away, you bring me calm like I haven’t felt forever | M

photo credit: Ricky Flores via photopincc
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“I think I’m going to move to Ubud for a while, maybe for 3-6 months,” I typed on my WhatsApp.

It was a cloudy Monday morning in Ubud. I was sitting cross-legged on the front porch; trying to decide whether I would go for a swim or not before meeting Alfred later in the afternoon.

Ubud, Bali

My phone vibrated.

“Moving to Ubud? And doing what?” Alfred’s words popped up on my screen.

“I don’t know,” I typed back. “Writing my book…”

An emoticon laughed at me. “Seriously?!!” Alfred replied. “Who the heck wrote a book in Ubud? Even Elizabeth Gilbert didn’t write her book in Ubud!”

And of course, he was right.

***

I decided to spend 2 weeks in Ubud; thinking that I would finally have the time and solitude to write The Book. These past few months, I had restrained myself from publishing any posts from my traveling journeys in Malaysia, Yogyakarta, Flores, and India–simply because this tiny (annoying) voice in my head kept saying: “Don’t post them now! Those stories will appear later in The Book!”

The Book is supposed to be my first non-fiction book: a travel memoir–and I have everything I need to finish it: a title, a premise, a rough outline…I even had almost 80% of the stories typed. All I need to do is type the rest of it, rewrite some parts that don’t come out as strong as I intended and organize them to create a flowing narrative of 297 pages. It sounds so simple and easy, yet I had missed my deadline. Twice. I have no excuse, and I don’t intend to start finding one.

Every day, as I woke up to the sound of the morning in Ubud, I told myself that I needed to sit down and wrote a few pages for The Book, today. I needed to create my own Ubud’s book-writing timeline and stick to it.

I ended up doing everything but writing The Book.

***

Ubud kept me busy.

I bumped into some old and new friends (who happened to know each other)–and spent some days conversing with them on the back porch while munching on mangosteens. There were some days when I was on fire: typing around 6 proposals for several movements and social projects that I was about to pursue, as well as making business plans for some friends of mine–just because I felt this rush of enthusiasm and inspiration needed to find an outlet.

There were some days when I didn’t really have anything to do. And for some unexplainable reasons, on those kinds of days, I kept bumping into people who practiced Reiki, spiritual healing, channeling, or yoga… to one point whereby I met a friend of a friend, and somehow ended up in a house full of statues and crystals by the rice fields near Penestanan for a kundalini meditation session–all the while asking myself, “What the heck are you doing, exactly?” and immediately answering back, “This could be an interesting story for The Book!”

When I didn’t bump into those interesting flocks, I went out for coffee or some healthy meals in one of those organic restaurants sprawled around the town; then walked around aimlessly for around 2 to 3 hours–checking out different alleys and shops and gelato bars, too lazy to even snap pictures. Other days, I would hang out with the staff at the hotel–conversing all night long by the pool while being bitten by mosquitos, listening to their life stories, and ended up explaining about meteors, eclipse, and earthquakes (“So, it’s not because of the dragon that is moving under the earth’s surface?”).

But most of the time, I would find myself sat lazily somewhere: reading a book, sipping watermelon juice, watching people, and then went back to my hotel–took a cold shower, wrote a long letter for my muse, and fell asleep.

It sounded like a vicious cycle, but the funny thing was: it actually didn’t feel vicious at all. I wanted to feel guilty because I didn’t touch The Book while I was in Ubud, but I just couldn’t.

***

It has been around a month since I got back from Ubud, and this week, I started to revisit The Book again. I realized that a ‘rough outline’ I have at the moment was not enough. This time, I committed to tightening it, restraining myself to edit (and re-edit) my stories before I could get that nice flow of narratives mapped out in a final outline.

It was not an easy task. To be honest, I hate making outlines–especially detailed ones with so many bullets and sub-bullet points. I always think of myself as a ‘spontaneous writer’ and outlining just doesn’t work for me. However, deep down inside, I know that I won’t go anywhere if I am still unsure of where I should place my stories on The Book. I can keep on rewriting and rewriting and rewriting and it will never get done. The stories will simply get lost somewhere in the middle of it all.

Ubud

And then it hit me. Right there. When I thought about ‘getting lost’.

I laughed at myself for a while, as I realized that ‘getting lost’ was actually my way of exploring a city when I travel. I am too lazy to read a map, I am not good at remembering routes (too busy noticing the small things along the way), and I get disoriented quite a lot–to the point that I could even get lost in a big shopping mall. I don’t plan things. I don’t keep a list of places I want to see. I don’t aim for landmarks or museums or souvenir shops. I just… go.

Now I know why mapping out The Book’s outline feels so darn hard since the very beginning.

Walking around aimlessly, not really heading anywhere, and letting the city I visit opening itself up to me as I get lost in it–that is how I travel. And The Book, indeed, is my travel memoir.

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One of the reasons why I love second-hand books is this: because sometimes–when I get lucky, I’ll find one with hand-written notes inside of it.

I am always fascinated by such random collision of lives; knowing that the book I am holding once belong to someone else; given as an act of love by the people who are/were close to their hearts. Reading those hand-written notes, I can’t help to wonder who these people are, what are their stories, and why those books find their way to greet me in some random bookstores in different parts of the world.

So, I guess the idea has been occupying my mind since then, leaving me questioning:

“What will happen when you leave hand-written notes: a poem, a prose, a flash fiction–anything that is close to your heart, to be found by random strangers?”

***

Last Saturday, together with my soul-sister, Ollie, we decided to find the answer to that question. And today, we come up with TheTravelingWords. It’s an idea that I have discussed with Ollie a few months back, but I guess an idea will always be an idea unless it is being executed. So, here we are now, inviting you to initiate connections with strangers by leaving hand-written poem/prose/flash fiction–or anything that is close to you heart, in various places.

“When you are traveling, carry your words with you. When you are not traveling, let your words travel for you. Magic happens when we let words travel.”

This November, we invite people to leave their hand-written notes with the theme “Distance” in a coffee shop. They can actually write their notes on the back of their bills and leave it on the table when they have finished their coffee. If the coffee shop have a tip jar, they can also put your notes there. They just need to put TheTravelingWords.com on the bottom of their hand-written notes (they can also put their names/contacts if they like), and send the pictures of the notes where they left it to us. We’ll showcase them all on the site, so that people who found their notes would know what this is all about! 🙂

***

Personally, coffee shop (especially tiny ones) is a place that is close to my heart. I spend many times there, sitting on the table far from the busy counter, writing some random lines on my notebook while watching people and sniffing the lovely smell of fresh-roasted coffee beans. I always find it amusing to leave something for the barista or the waitress… just to brighten up their day a bit more–especially when they are about to clean the table.

I guess now I have a stronger reason to do so.

More about TheTravelingWords can be found here. Let’s get our words to travel and touch lives! 🙂

It’s something about closing your eyes
and trying to forget something you
have always remembered.
It’s something about chasing
the feelings that burn the back of
your eyelids, knowing that it
comes from something unrequited.
It’s something about running towards
someone else’s back as they’re
walking away from you, leaving
all your whys unanswered.

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hanny
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Aku masih saja dibuat takjub akan sekian pertemuan yang nyaris terlewatkan–tetapi tidak. Seperti malam itu; ketika aku merasa nyaris putus asa dan tak lagi berharap akan menemukan (si)apa-(si)apa–kemudian langkahku memotong langkahmu secara tak sengaja dan kita bersua, begitu saja, seperti sudah seharusnya.

Candles

Kau merupa segala yang kuimpikan dan lebih. Terkadang membuatku takut, ketika hal-hal yang sudah lama kuangankan diam-diam kau jatuhkan tepat di atas pangkuanku, satu-satu: seperti jawaban atas doa-doa yang bahkan tak berani kuucapkan keras-keras. Jujur, terkadang aku meragu. Juga menunggu kapan semua ini akan berhenti pelan-pelan. Sudah lebih dari 100.000 kata kini, dan kita masih saja terhubung pada saat-saat yang bertepatan, seperti hari ketika aku berdiri di tepi pantai di Uluwatu dan mengirimkan sebongkah rindu pada ombak yang bergulung-gulung pergi; dan malam harinya, hujan turun di atasmu, 16.849 kilometer jauhnya dari sini. Kau katakan padaku saat itu bahwa kau bisa merasakan hatiku dalam setiap rintik yang menetesi kepalamu. Malam itu, kau sengaja membasahi dirimu meskipun biasanya kau lebih suka menikmati hujan dari dalam ruangan.

Lalu aku teringat malam ketika kita duduk di beranda untuk yang terakhir kali. Pada saatnya, aku luluh dalam tatapmu–dan tiba-tiba saja kata-kata menghilang dari kepalaku. Jadi kita terdiam berhadapan, lama. Rasanya tak seperti jeda yang harus diisi apa-apa. Kita tersenyum. Tertawa. Memandang ke arah yang sama.

Sepertinya kita bercakap dalam diam malam itu–tetapi entah bagaimana, kau membuat hatiku merasa bahwa untuk pertama kalinya, aku tak perlu ragu membiarkan diriku jatuh.

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I know I am an old soul, and probably that’s one of the reasons why I am always drawn into anything vintage. Not to mention the fact that I can’t find the joy (yet) of reading books on my gadgets. I know it’s not that environmentally friendly, but I still love the real deal (would be better if it’s a second-hand book or a gift from someone): appreciating the cover, touching the edges, flipping the pages, reading the messages or underlined quotes someone had written inside… and don’t you think the smell of old books should have been bottled to be sold in supermarkets and sprayed in bookstores and libraries?

Thus, finding several old books from my grandfather’s collection was bliss! A beautiful French dictionary (love that pocket-size thing and it’s vintage blue stained-cover!), a small Thai dictionary & phrasebook, plus a Teach Yourself Chinese book! I know my grandfather (from my father’s side) loved books and that he spoke a little bit of Chinese and Dutch, but at the time he was still alive, I was still a little kid–and I didn’t know that he had this extensive interests towards learning foreign languages.

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I glanced at my bookshelf where my phrasebooks were stacked neatly on top of each other. French. Greek. Arabic. Spanish. Hindi and Urdu. Russian. Wow. Now I know where my fascination for foreign languages originated from!

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I also found this holy treasure, Highroads of Literature (1927), and let out an excited shriek every time I looked at the beautiful paintings inside the pages–accompanying Tennyson’s The Lady of Shallot and Shakespeare’s The Tempest.

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Another amazing finding was this Robinson Crusoe’s book because there’s a purple stamp from the bookstore where the book was bought… and it was pure bliss to find the word Buitenzorg stamped on it! Buitenzorg was the name given to my hometown, Bogor, during the Dutch colonial era. It meant something close to “a worry-free town”, where the summer residence of the Dutch East Indies Governor-General was located. This city of rain, which was surrounded by mountains, became a ‘resort’ town where the Dutch escaped from the bustling (then, and still bustling until today) Batavia (the Dutch name for the country’s capital, Jakarta).

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From my grandmother’s side, I actually bumped into this amazing thing: Madame Wong’s Chinese Cookbook. And look at those hand-written chicken-feet recipes on a piece of paper tucked inside the pages!

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Not to mention that the book has these beautifully breathtaking hand-drawing illustrations to show you the final look of the meals and the cooking steps–instead of photographs that you usually find in the modern cookbook!

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Have you ever found an old family ‘treasure’ lately?

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Hanny illustrator
Hi. I'm HANNY
I am an Indonesian writer/artist/illustrator and stationery web shop owner (Cafe Analog) based in Amsterdam, the Netherlands. I love facilitating writing/creative workshops and retreats, especially when they are tied to self-exploration and self-expression. In Indonesian, 'beradadisini' means being here. So, here I am, documenting life—one word at a time.

hanny

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