I don’t normally spend New Year’s Eve traveling or partying with friends. Most of the times, I’ll be reading some good books in my bed until the clock strikes 12. This year, 10 days before New Year’s Eve, a friend of a friend invited me to come with her to Alor–a small island in Eastern Indonesia. She wanted to visit some schools in the villages and asked me to do some storytelling for the local kids. I was making an impulsive decision when I said yes.
To be honest, I was pretty reluctant to spend New Year’s Eve outside the comfort of my own bedroom–remembering how last year’s New Year’s Eve celebration in Penang had turned into such a disastrous experience. However, I was happy to say that this year I didn’t regret my decision at all! 2014 began ever-so-beautifully in Alor–and I genuinely hope that the rest of the year would be as (if not more) beautiful! *cheers*
December 31, 2013, around 9:30 pm, I found myself sitting in a shack near the port in Kalabahi (the small town in the island) with my friend, Monica, and four of our new friends from Alor. We had just ordered our humble New Year’s Eve dinner for the night: some plates of rice with chicken, beef, and goat satay; hot coffee and tea, as well as some bottles of Bintang beer for our Alorese friends. The air was filled with the salty smell of the ocean, the explosion of firecrackers, and a blast of dangdut music from the nearby shack–where Alorese men and women danced festively in every possible moves. Some were already drunk from the unlimited supply of sopi (local alcoholic beverage); poured directly into people’s mouths from time to time.
In Kalabahi’s street-side, every 5 meters or so, the youths had set up their own pop-up clubs: filling empty areas or house terraces with huge speakers (blaring the kind of music you’ll hear in clubs all over the world), disco lamps, and rows and rows of beer bottles.
Everyone was laughing and enjoying the night. Me included.
I wish you all a wonderful 2014–and may you have the courage to follow your heart’s desires.
“I think I’m going to move to Ubud for a while, maybe for 3-6 months,” I typed on my WhatsApp.
It was a cloudy Monday morning in Ubud. I was sitting cross-legged on the front porch; trying to decide whether I would go for a swim or not before meeting Alfred later in the afternoon.
My phone vibrated.
“Moving to Ubud? And doing what?” Alfred’s words popped up on my screen.
“I don’t know,” I typed back. “Writing my book…”
An emoticon laughed at me. “Seriously?!!” Alfred replied. “Who the heck wrote a book in Ubud? Even Elizabeth Gilbert didn’t write her book in Ubud!”
And of course, he was right.
I decided to spend 2 weeks in Ubud; thinking that I would finally have the time and solitude to write The Book. These past few months, I had restrained myself from publishing any posts from my traveling journeys in Malaysia, Yogyakarta, Flores, and India–simply because this tiny (annoying) voice in my head kept saying: “Don’t post them now! Those stories will appear later in The Book!”
The Book is supposed to be my first non-fiction book: a travel memoir–and I have everything I need to finish it: a title, a premise, a rough outline…I even had almost 80% of the stories typed. All I need to do is type the rest of it, rewrite some parts that don’t come out as strong as I intended, and organize them to create a flowing narrative of 297 pages. It sounds so simple and easy, yet I had missed my deadline. Twice. I have no excuse, and I don’t intend to start finding one.
Every day, as I woke up to the sound of the morning in Ubud, I told myself that I needed to sit down and wrote a few pages for The Book, today. I needed to create my own Ubud’s book-writing timeline and stick to it.
I ended up doing everything but writing The Book.
Ubud kept me busy.
I bumped into some old and new friends (who happened to know each other)–and spent some days conversing with them on the back porch while munching on mangosteens. There were some days when I was on fire: typing around 6 proposals for several movements and social projects that I was about to pursue, as well as making business plans for some friends of mine–just because I felt this rush of enthusiasm and inspiration needed to find an outlet.
There were some days when I didn’t really have anything to do. And for some unexplainable reasons, on those kind of days, I kept bumping into people who practiced Reiki, spiritual healing, channeling, or yoga… to one point whereby I met a friend of a friend, and somehow ended up in a house full of statues and crystals by the rice fields near Penestanan for a kundalini meditation session–all the while asking myself, “What the heck are you doing, exactly?” and immediately answering back, “This could be an interesting story for The Book!”
When I didn’t bump into those interesting flocks, I went out for coffee or some healthy meals in one of those organic restaurants sprawled around the town; then walked around aimlessly for around 2 to 3 hours–checking out different alleys and shops and gelato bars, too lazy to even snap pictures. Other days, I would hang out with the staff at the hotel–conversing all night long by the pool while being bitten by mosquitos, listening to their life stories, and ended up explaining about meteors, eclipse, and earthquakes (“So, it’s not because of the dragon that is moving under the earth’s surface?”).
But most of the times, I would find myself sat lazily somewhere: reading a book, sipping watermelon juice, watching people, and then went back to my hotel–took a cold shower, wrote a long letter for my muse, and fell asleep.
It sounded like a vicious cycle, but the funny thing was: it actually didn’t feel vicious at all. I wanted to feel guilty because I didn’t touch The Book while I was in Ubud, but I just couldn’t.
It has been around a month since I got back from Ubud, and this week, I started to revisit The Book again. I realized that a ‘rough outline’ I have at the moment was not enough. This time, I committed to tighten it, restraining myself to edit (and re-edit) my stories before I could get that nice flow of narratives mapped out in a final outline.
It was not an easy task. To be honest, I hate making outlines–especially detailed one with so many bullets and sub-bullet points. I always think of myself as a ‘spontaneous writer’ and outlining just doesn’t work for me. However, deep down inside, I know that I won’t go anywhere if I am still unsure of where I should place my stories on The Book. I can keep on rewriting and rewriting and rewriting and it will never get done. The stories will simply get lost somewhere in the middle of it all.
And then it hit me. Right there. When I thought about ‘getting lost’.
I laughed at myself for a while, as I realized that ‘getting lost’ was actually my way of exploring a city when I travel. I am too lazy to read a map, I am not good in remembering routes (too busy noticing the small things along the way), and I get disoriented quite a lot–to the point that I could even get lost in a big shopping mall. I don’t plan things. I don’t keep a list of places I want to see. I don’t aim for landmarks or museums or souvenir shops. I just… go.
Now I know why mapping out The Book’s outline feels so darn hard since the very beginning.
Walking around aimlessly, not really heading anywhere, and letting the city I visit opening itself up to me as I get lost in it–that is how I travel. And The Book, indeed, is my travel memoir.
I always find it comforting, to be surrounded by greeneries, enveloped by silence, only to catch the faint sounds of birds, cicadas, and waterfalls. I ran away here one afternoon a few weeks ago with a friend, Martijn. A few slices of yellow watermelons, a pack of grapes, a carton of fruit juice, and Susan Wooldrigde’s Poemcrazy book were resting nicely inside my flowery canvas bag. My head was still spinning with the beautiful words from the book. I remembered one line where Wooldridge quoted Gary Snyde: poetry has an interesting function; it helps people be where they are. And suddenly, my world was bursting with pinecones, the smell of the leaves and the wet soil, the shape of the rocks, the changing colors of the sky…
I was sitting on a rock; dipping my toes into the flowing river, while Martijn went underneath the waterfalls. I was thinking about everything that had happened in my life lately: about hellos and farewells, and how curious was it that I kept stumbling upon random people who brought ‘messages’ for me and answered some questions I have pondered upon for a while through simple conversations.
I once wrote inside my black travel notebook: what if we think of everyone we meet on our journey as a messenger? What if we don’t bump into them coincidentally? What if they were sent to tell us something, to deliver a message, a lesson… what difference would it make if we stop, say hello, glance a smile, and make that connection? Don’t you think it would make you feel like you are never alone in this world? That every step you make is another chance to learn new life lessons? That everyone of us is, in one and another way, carry ‘The Prophet‘ inside, like that of Gibran’s?
Last evening, a girl on Twitter sent me a direct message, and asked, out of the blue, “What should I do when the person I care about decided to disappear?” and I found myself typing away: just pray for them to be alright, and to be happy. Maybe I was talking to myself or hearing myself asking the same question to my other self; this could be more complicated than understanding the flower petals and Fibonacci numbers–but such ‘creepy’ or amazingly coincidental things happened more often in my life lately (oh well, I never believed in coincidences anyway). When I came to think about it, I guess even our prayers (or wishes) define who we are and how we see the world. If you do believe that prayers have such a vast amount of energy that will resonate to the universe and being echoed back to you, you would want to recite beautiful prayers, wouldn’t you?
Bogor Botanical Garden is one of my favorite places in my hometown. It’s always nice to get lost in the lush canopy of green, daydreaming by the lotus pond, or reading some good books while sitting cross-legged on the grass. Built during the Dutch colonial period by Stamford Raffles, the garden houses more than 15,000 species of trees and plants, covering an area of 80 hectares. I always love to see my City of Rain as a fried egg: the yellow part is the Botanical Garden, and the white part is the town–all around it. I went to the Botanical Garden again with Patricia, Ewan, and Vidi. It was a spontaneous decision, actually.
A few days before, I had just decided to let go and move on from something that had tied me down and made me sad. It was difficult, but like my dear friend Ollie said, we’ll get better in overcoming heartbreaks. And she is right. Being in the outdoors was good for me: laughing, walking for hours, taking pictures, telling stories, making jokes, eating out. For the first time after such a bad few weeks, I felt whole again. I felt genuinely happy and free. Suddenly the world turned beautiful once again.
In two days, I’ll be off to India, visiting Mumbai, Delhi, Agra, and Jaipur. Again, I am hitting the road, meeting people, enjoying life, reuniting with old friends, counting my blessings, and loving myself. And when people ask me how-are-you-doing, I can just give them a huge smile and say I-am-doing-great and it’ll feel so damn good because I know that this time, I am telling the truth.
Happy Valentine’s Day, lovelies!
Batik (/ˈbætɪk/ or /bəˈtiːk/; Javanese pronunciation: [ˈbateʔ]; Indonesian: [ˈbatɪk]) is a cloth that is traditionally made using a manual wax-resist dyeing technique. UNESCO designated Indonesian batik as a Masterpiece of Oral and Intangible Heritage of Humanity on October 2, 2009.
I had always wanted to learn how to make batik. The hot wax, the tracing of the lines, the coloring, the patience… I found the process both beautiful and calming; like a meditation practice. The opportunity to learn how to make batik came to me not in Yogyakarta or Solo, but in Ubud, Bali. Adit introduced me to Pak Nyoman and Ibu Rai, who own Nirvana—a small inn/gallery hidden in the midst of Ubud’s touristy Gautama Street.
Pak Nyoman is an Ubud-born painter who works with batik, oil paint, and water color. He had been an artist-in-residence at Bondi Pavilion, Sydney and Toorak College, Melbourne, lectured at John Kennedy Hall, Guam University, and exhibited extensively in Australia, Italy, Guam, Japan, Singapore and Switzerland. One morning, together with Adit and his cousin, Uma, I spent a day in Ubud to learn how to make batik.
The very first thing to do is to draw a pattern on the cloth with a pencil. Since it was my very first time, I decided to draw something simple and playful. I ended up drawing Susuwatari (wandering soot/ススワタリ)—that appears in Ghibli’s My Neighbor Totoro and Spirited Away; who got curious due to a sudden appearance of a lotus.
Once the drawing is finished, we continue to the second step: tracing the lines with hot wax. Dip the “canting” pen into the hot wax and make sure the canting isn’t too full, or else the wax will spill out. Before tracing the lines, blow the tip of the canting pen to make the wax flows easier. We need to concentrate during the tracing process and keep the canting pen at the right angle to ensure that the wax will continue to flow without spilling over.
Next, a more relaxing process: coloring! Don’t mix the paint with too much water if you’d like to have a vibrant color. Uma worked on a Balinese drawing with Balinese color that day—the kind you’d be seeing in cloths sold at some small shops along Kuta or Legian street stretch; while Adit worked on something more Japanese with the drawings of a fish in a pond.
Once the coloring is done and the paint is dry, we need to go back to the hot wax. The next step is to glaze the paint (colored areas) with hot wax. We don’t use canting pen for this. We use a brush instead. Dip the brush into the hot wax, and glaze, dip and glaze, dip and glaze. You need to ensure that the colored surface has been glazed perfectly. You can check this by turning the cloth over; the spots you miss will be visible. Pandjul—the son of Pak Nyoman and Ibu Rai helped me in checking the missed spots and glazing them; while Bocil, the family dog, was waiting for us to finish with sleepy eyes.
After the glazing, the next step is to color the whole cloth. You can pick the color that you like. The cloth will then be dipped into a color solution of your selection.
And then, it’s time to get rid of all the wax in your cloth. How? By dipping the cloth into a pan of boiling water, of course!
After that, you need to put your cloth to dry… and then you can see the results. Adit and Uma’s cloths turned out seriously stunning and beautiful! They are so talented!
And this one is mine. My batik cloth: Susuwatari Spotted A Lotus :D
Would you like to learn how to make batik, too? If you’re in Ubud one day, come early in the morning to:
Jalan Gautama 10, Padangtegal Kaja, Ubud,
Gianyar, Bali, Indonesia. (80571)
Phone : +62.361.975415
E-mail : firstname.lastname@example.org
Website : http://www.nirvanaku.com
and please pet Bocil the dog for me!
I spent another week in Bali this October. The actual plan was to meet up with Adit and Ney for our #PecahdiUbud routine at Ubud International Writers & Readers Festival; but I intentionally came a few days earlier, wanting to savor Bali by myself. No wild parties, no shopping spree. I spent those days to walk around aimlessly in shorts, sleeveless top and flip-flops: eating out, having cocktails or coffee, writing, reading, and daydreaming.
And these are some of the places where I had been hiding, alone:
Cocoon Beach Club, Jl. Double Six no. 66, Blue Ocean Boulevard, Legian.
Just come early in the morning (while it’s still empty) for breakfast, plunge into the swimming pool every once and a while, and then spend the rest of your time sunbathing while reading some good books.
Gusto Gelato & Caffè, 67 B Jalan Umalas 2, Kerobokan, Seminyak
A tiny gem in Kerobokan! Located inside a small road, these gelato shop is offering the most delicious gelato I’ve ever tasted so far. And it’s cheap, too! For USD$2 or around IDR 20,000, you could have one luscious cup of gelato; and the portion is generous! Don’t forget to try the chocolate chili. Amazingly hot and spicy!
Kunyit Bali, Jalan Kartika Plaza, Kuta.
Craving for some Balinese food? Stop by at Kunyit Bali. Lovely place, good food (the crispy duck is amazingly delicious), friendly staff, cozy ambience.
Nammos Beach Club, Jalan Villa Kandara, Banjar Wijaya Kusuma, Ungasan.
Located inside the luxurious Karma Kandara resort, you need to pay USD$35 to ride an elevator down to Nammos Beach Club (the elevator ride is free for the resorts’ guests). From that particular amount, the USD$25 can be spent later on, at the beach bar, to order some food and drinks. Though it’s quite expensive, I just love the beach club. I love the service. I love the fact that you can just leave all your belongings if you’d like to go for a swim—because the staff will look after it (very important when you’re traveling alone). I love it that they have a drink called Hemingway Daiquiri.
JuMaNa Bar, Banyan Tree Ungasan, Jl. Melasti, Banjar Kelod, Ungasan.
They said you need to have a reservation first for dinner. I came at around 4:30, saying that I just wanted to chill at the bar, and then a golf cart came to take me down from the lobby of Banyan Tree hotel to JuMaNa Bar. I sat outside, sipping their signature cocktail JuMaNa Royal (champagne flavoured with yuzu essence and Moroccan rose petal water) that tastes as ‘royal’ as its price, waiting for the sun to set.
Corner Store, Jln. Laksmana 10A, Seminyak
Lovely place serving healthy meals; perfect for brunch or coffee-time in the afternoon. I fall in love with the smoked salmon bagel.
Blue Point, Uluwatu.
When some friends from abroad came to Bali, I always take them to Blue Point, Uluwatu. Nothing much to do but to chill while drinking soft drinks or beers, looking at the surfers riding the waves, and telling stories while enjoying the sea breeze. Alone at Blue Point? I’ll just sit there and write for hours.
There are only a few places I like in Jakarta: my office (seriously), the giant bookstores, coffee shops with bookshelves, the stretch of street stalls selling everything vintage in Jalan Surabaya, Seaworld and Planetarium (again, seriously), and… the Old Town area.
I love the Old Town not only because this 1.3 square kilometers area is very picturesque; but also because it reminded me of the pictures I saw in my history books. It gave me those “colonial romanticism” feeling (you know how I love to imagine myself living in a different era; the 1920s fascinates me the most).
A lazy stroll along this area is always a pleasant one. All those old buildings with beautiful architectures, street artists drawing your sketch or silhouette, tattoo stand, fortune-teller… It was unfortunate that several historical sites had been destroyed by the provincial government during the development of Jakarta, including Fortress Batavia, Gate of Amsterdam, and tram lane of Batavia (we had tram lane, once!).
I went to the Old Town again last weekend with my friend, Chris—me with my DSLR camera, running around taking pictures, and Chris with… nothing. “Who is the tourist, actually?” Chris laughed. “Yes, I am playing tourist!” I answered to that and mindlessly snapping some pictures again. Anyway, if you’re around this area, pay a visit to Warung Kota Tua. They have the best chicken noodles.
I woke up to rain. To the faint smell of pandan leaves and frangipani. The sky was dark gray. The garden were glistening under the downpour. I watched the mist floating silently in the air, astounded by its ghostly appearance. A dark and wet morning in Ubud for a bunch of depressed writers. A perfect gift. When the rain subsided to drizzles, we tip-toed to the breakfast area, to avoid stepping over the offerings (banten).
Breakfast was served in a small hut next to the paddy field. The sound of Balinese gamelan, the hush of the wind, the rhythm of the raindrops, the spores of Actinomycetes. There were three of us at the table, but we did not talk much. I sipped my coffee without hurrying.
Leaving the cottage at around 10, we decided to take our separate ways. The guys went uphill, while I sat on the edge of the bridge, looking down to the mesmerizing beauty of Tjampuhan (Campuhan) river. I could spend hours just looking at the flowing water, orchestrated by the faint sounds of the birds and monkeys from the nearby forest. It was so calming, like a therapy to ignite a sense of melancholy.
Joe Forgas, a social psychologist at the University of New South Wales in Australia, has spent the last decade investigating the link between negative moods and creativity. He has repeatedly demonstrated that a little melancholy sharpens the spotlight of attention, allowing us to become more observant and persistent. Forgas has found that states of sadness also correlate with better writing samples; subjects compose sentences that are clearer and more compelling. Because they were more attentive to what they were writing, they produced more refined prose, the words polished by their misery*.
That was probably the exact reason why the three of us decided to hide in Ubud for a few days.
True, it was that time of the year when they held this annual International Ubud Writers & Readers Festival—where writers from all over the world came to this little dot on the map for a series of talks, readings, or workshops. But the festival was merely an added topping. The core ingredient of our #PecahdiUbud (“Bursting in Ubud“) journey was actually the one that Forgas mentioned.
We were looking for a place where we could savor the melancholy of being silently depressed and miserable.
Ubud was just the perfect place to do this. A small village hidden beneath the lush canopy of green, with its forests, rivers, hills, temples, and October rain, far from the beach-side’s sunny celebrations. A bunch of traveling companions who could understand these shared state-of-sadness. Those who wouldn’t mind to sit together in silence—each one got lost in one’s own thoughts: racking our brains, scribbling some notes, typing stories, reading books, or gazing out into the emptiness.
In the afternoon, after a long lunch, we would wander around listlessly—only to find ourselves took our separate ways, again. Adit went to a batik workshop, Ney went to a book discussion, and I decided to sit in a class of 15 people; clutching my Vernon God Little novel while the author, DBC Pierre, was sharing his writing experience right in front of me.
When the sadness and depression overwhelmed us, we left Ubud for Seminyak and walked under the sun until our feet got tired and our skin were burning hot. That day, we waited for the sun to set in Cafe Bali, Oberoi Street. Sat lazily on a huge couch overlooking the tiny pool and the Ganesha statue, we sipped our coffee and devoured six types of desserts to wash away the bitterness.
As night fell, we climbed back up to Ubud: the wind was chilly, the air was damp, the sky was dark. A small sliver of the moon was hanging there, looking lonely. We walked past the darkness of the museum not far from our cottage, the sound of the night enveloped us. It was the museum of Antonio Blanco—a painter of Spanish and American decent who came to the island in 1952 and fell in love with Ni Ronji, a Balinese dancer, and got married to her a year later.
My mind was instantly filled with mythical creatures, kisses and fireworks, invisible inhabitants of the past and the future, the traces of unrequited love, explosion of tears. It was that time of the year. To celebrate sadness and misery, to welcome tears and despair, to get high just by looking at the words pouring from my computer screen. “Bursting in Ubud” was about embracing all these, to wake up again in a different morning one day and walk out with my golden slippers, sunglasses, shirts, and shorts—heading to the beach with a burst of laughter.
*) p. 77, The Unconcealing, a chapter from the book “Imagine” by Jonah Lehrer.
Semuanya nampak seperti serangkaian “kebetulan”.
Seorang sahabat dari luar kota mengajak saya ‘sowan’ ke sebuah kedai teh mungil di kota tempat saya tinggal. Kedai teh yang belum pernah saya dengar namanya, dan belum pernah saya kunjungi sebelumnya.
Di kedai teh ini, kami berbincang tentang banyak hal, seperti biasa. Dan selagi kami berbincang tentang kamu, pemilik kedai teh itu—seorang lelaki bertubuh kecil dan berwajah ramah, datang menyapa. Ia kemudian menyodorkan sebungkus teh hasil racikannya sendiri, yang disimpannya di dalam sebuah kaleng.
Saya menghirup wangi teh dalam bungkusan itu. Segar; seperti wangi laut dan musim panas.
Lantas, jika kamu percaya bahwa tidak ada hal yang bernama ‘kebetulan’ di dunia ini, maka bukan kebetulan pula jika teh racikan di dalam kaleng itu bernama Fragrance of Love. Campuran dari berbagai jenis teh asli Indonesia dengan chammomile, peppermint, kulit jeruk, dan serai (lemongrass).
Nama kedai teh itu Lare Solo.
Kedainya kecil saja, seperti warung-warung teh yang biasa kamu temui di perjalanan menuju Puncak. Letaknya di kawasan Agripark, Taman Kencana, Bogor. Nama pemiliknya Pak Bambang.
“Awalnya saya membuka kedai teh ini karena blog juga. Saya bercerita tentang teh di sana, dan banyak orang yang suka. Jadilah kemudian saya berkenalan dengan kawan-kawan pecinta teh lainnya, dan mendirikan kedai teh ini, kecil-kecil saja,” ujar Pak Bambang sambil menyeduhkan teh untuk kami.
Oh ya, apakah kamu tahu mengenai ‘Jayeng’? Jayeng adalah jabatan non-formal yang diberikan kepada pembuat teh untuk warga. Di setiap hajatan, Jayeng akan menyiapkan puluhan gelas teh untuk para tamu. Mulai dari merebus air, menyeduh teh, menuangkannya ke dalam gelas, memberi gula, dan mengaduknya satu per satu. Jayeng menjadi semacam profesi yang memadukan tradisi, pengabdian, kesungguhan, dan kecintaan akan teh. Ada banyak lagi kisah-kisah menarik seputar teh yang bisa kamu temukan lewat halaman-halaman blog Pak Bambang, atau lewat percakapan santai dengan beliau di Lare Solo.
Dari dapur kecil ini, berbagai macam teh diseduh dan dihidangkan. Ada empat macam teh yang kami coba hari itu: teh tarik, mango sencha, fragrance of love, dan racikan teh peppermint dari Pak Bambang. “Cukup banyak varian teh, bunga-bungaan, dan bahkan peppermint ini masih impor,” Pak Bambang menjelaskan. “Tanah dan cuaca sangat mempengaruhi rasa, jadi walaupun satu varian teh atau bunga-bungaan bisa ditanam di Indonesia, rasa dan aromanya entah mengapa tidak bisa ‘pas’. Misalnya untuk peppermint ini, saya sudah coba daun mint dari berbagai daerah di Indonesia, tetapi rasa dan aromanya kok beda.”
Menghirup aroma dari bungkusan demi bungkusan teh yang disodorkan Pak Bambang ternyata begitu mengasyikkan. Wangi ‘rumput laut’ yang tercium pada berbagai bungkusan teh hijau pun membuat saya ingin membawanya pulang dan meletakkannya di samping tempat tidur.
Untuk 1 teh tarik dan 3 poci teh yang kami pesan, ditambah dua porsi risoles keju dan daging asap, percaya atau tidak—kami hanya membayar 40ribu rupiah. Surga yang luar biasa bagi para pecinta teh, terutama bagi mereka yang terbiasa membayar 40ribu rupiah hanya untuk sepoci teh di Jakarta. Belum lagi percakapan dengan Pak Bambang, yang nilainya melebihi nominal tersebut. Mulai dari mengenal berbagai jenis teh, upacara minum teh di Jepang, racikan-racikan teh yang pernah dibuat, sampai perjalanan beliau mendirikan kedai teh mungil ini, semuanya menjadi teman minum teh yang sangat menyenangkan.
Suatu hari, saya akan mengajakmu ke sini dan memperkenalkanmu dengan sesuatu yang bukan kebetulan itu. Sepoci Fragrance of Love. Diminum hangat-hangat. Kalau kamu bertanya seperti apa rasanya? Aku akan menjawab bahwa rasanya…
Care for a cup of tea and me? ;)